the GENDER issue / POETRY
After/birth
by Candice Merritt
I.
She ached for a body of respite:
instead her flesh was crowded, by
crusted milk cracked at tips,
bottom pots, burned before
dusk, boy baby babbling for
breasts, prepubescent bottles
blackened and swole blue.
But boy baby needed peace
and of her, like a pinioned cog in a
just-on-time clock, she
obeyed the hunger.
He fed from her hand, settling into
slumber, cradling plastic. Stowed
into a four-sided drawer, duty
kept her close. Just in case, or
there’ll be trouble.
Now, in her cradle, she crawled
upon the couch, climbing one knee after
foot. To chest, sunken, she sauntered—
inhaling drecks, dwelling in dermis.
Behind the skin, she was few things:
disembodied arms, pale and thin, hanging
mauve bedsheets, half a translucent hand,
folding velvets, edges to ridge, stiff fingers
rosewooded knuckles, furrowing into
abysmal creases, tucked and stacked,
pressed plaited, encased…
until, she became the smallest
slits, diffuse with the empty ebony
between braided hair
the soot
lines interspersed in coarse nooses—
​
II.
Before she slipped too far, baby began
cackling at the air above, where is that
warm-blooded body? Well,
digging a railroad underneath
her ribs, when Mother
returned, baby finished
snaking over, her neck collected the clot
from her little box. Later, she’d recall
that emergent moment:
gazing inside that
narrow, tenebrous fold
trancing god her self
into that pure black
hole, willing god
her self to merging in
breath full abyss, being
god her self always, and again,
one more, fading final
deserting, desiring
tryst.
Candice J. Merritt is a black queer feminist with roots in St. Louis, MO and Atlanta, GA. She is currently pursuing her doctoral degree in African American Studies at Northwestern University with a focus on black feminist theory, motherhood, and family in black women's literature. She seeks to weave theory, memoir, poetry, and creative non-fiction in her writing, research, and teaching.